Tuesday, February 21, 2012
Sunday, June 26, 2011
The days in
Nostalgia is one of the queerest ways we fool ourselves. One of the reasons that I didn't want to go on a Holocaust-themed trip is because I deeply dislike contrived history. I know that all history is to some extent contrived, but I resent the way in which we are steeped in Holocaust culture in Israel and the way in which it's used to inform so many of our decisions and aspects of our lives. Maybe because I moved here at an advanced age and didn't grow up in it, it has always seemed artificial to me. However in
I was pleased that we spent so much time going around "regular
Our hosts were unbelievably warm and generous, inviting us out every night- out to their hangouts or into their homes. I felt so welcomed, and maybe this was one of the reasons I felt safe enough to explore issues of family and history the way that I did. We never stopped having conversations, my Israeli traveling-mates and our Polish counterparts. Some evenings we only cut off conversations because it was too late and we had to go to bed, and continued them the next morning.
The trip was very much a juggling act between planned sightseeing, artmaking, going out with our Polish counterparts and downtime to just wander and soak up our surroundings. I generally enjoy art that has mystical elements in it, but in
Monday, May 9, 2011
Alopecia: how much fun is it? (not even a little bit fun)
What I am not doing: continuing to go to that acupuncturist who charged an arm and a leg for every session and had me on a schedule that revolved around doing things to/for my scalp. Enough. My finances are only just beginning to stabilize now after having gone to him for several months, and I need stress like that like I need another hole in my head.
What I am doing: hoping that I'm not acting like an idiot for stopping treatment, no matter how expensive or weird the treatment happens to be. Hoping that what I'm doing is enough. Trying to let my body take things at its own pace. Trying not to trawl wig stores online and wonder about just shaving it all off. Keeping my fingers crossed.
Saturday, January 29, 2011
Jumping off points would be the Saw franchise, Hostel, youtube uploads from Iraq..the public narrative of taking pleasure from torture.
Thursday, January 27, 2011
Tuesday, January 25, 2011
Saturday, January 22, 2011
Sunday, January 16, 2011
*"Why did you not choose to make the sculpture larger? Because I was not making a monument. Why did you choose to not make it smaller? Because I was not making an object."*
*Actually, maybe no. I think it might be an object. Gotta think about that.
Thursday, January 13, 2011
I kinda want to be responsible, that is, I want to know where things are when I put them down and not suddenly remember obligations at the last minute. It's a nerve-wracking way to live- I make myself crazy, I make other people crazy. I already find, writing things down in the planner, that I feel less anxious about my time. I know what's going to happen. It's written down, look.
I rubbed ginger on my head two nights ago, and cinnamon on my head last night. They're supposed to bring the blood to the surface of my scalp, and maybe make the hair grow back. Every time I look at the bald spots I am reminded that I am still adrift. That I am still in at least some ways at the mercy of my anxieties.
I talked with Hill this week about this and that. He told me how tired he was of living like a vagrant- he hasn't had a bedroom for the past five months. His current digs are in a squat, and while he's not paying rent the ceiling has taken to crumbling on his bed in the middle of the night. Before that he was working in the cornfields in Texas, and sleeping in a barn at night. I can only empathize. I haven't had a single living space of my own all year. I cannot wait (my reservations about living with Hill aside) to move this last time. My own bedroom..god. I haven't had one since moving out of my parents place last November.
I have a whole laundry list of the things I would like this studio to be. But I think more than anything else I want it to be my own.
Sunday, January 2, 2011
A few people in the office tried to warn me about them before I started, but I really do get it: they're shallow and can be petty and catty, and probably stave off the boredom of the longish shifts paired with little work with internal politics of the most pointless kind. They are the type of women that professionals would easily call "girls", and I'll admit that that's how I thought of them in the beginning: they have a childish viciousness to them borne of the same kind of small-mindedness that draws a person to aspire no higher than to get married, and have nice clothes along the way. I can see them in my mind's eye at the age of five, hitting their friends over the head with their dolls when they don't get their way.
That said, they are entirely professional at what they do. I often find myself lagging behind, even when the work is as simple as scanning and printing. They easily complete three pieces of work in the time it takes me to complete one. So while they're not people I would willingly hang out with, they do what they do well.
Yeah, they're shallow- an entire shift can go by with the only topic of conversation being fashion- and they're definitely petty. But they're not (most of them) genuinely stupid. They do however have that sort of laziness of intellect that you often get with people who are born pretty and as a result haven't had to try too hard over the course of their lives. The office is absolutely filled with the conventionally attractive, and the secretary pool is the last place where there would be an exception: all young, female, thin, (mostly) blond. I am sure that they were given their (fairly cushy) jobs not only on the basis of their abilities but also based on their ability to be an attractive front to the office, to be able to smile prettily when the clients come in.
Some of them are university students, which is why they're working the evening shift. The evening shift is ideal for that- you make a full time salary at a part-time position. I can imagine that this job is another in a long line of unearned perks, just for being pretty- they won't have to work slinging hash or cleaning stairwells. They can stay in the air conditioning, with the complimentary coffee.
Maybe it's all sour grapes, I don't know. Probably "On Not Being Pretty" is a series of (probably long winded and self-deprecating) posts all by itself. I'm doing what I always do in these kind of situations: do my job, keep my head down and think about what's going on around me.
Monday, December 27, 2010
Sunday, December 19, 2010
Sunday, December 5, 2010
I certainly hope so, anyway. I've reached a point in this generalized anxiety which I would definitely call a danger zone: having trouble sleeping. I have trouble falling asleep, don't sleep well when I do and feel buzzed and erratic all day. It's bad. And if we're being entirely honest..I haven't been taking my hair medication like I should. I'm just tired of doing it, you know? I just want this to end. It's much easier to have a can-do "we're going to beat this!" attitude at the beginning of tackling a health issue. It's a lot harder when you've been doing this expensive treatment for months and months and there's no end in sight and you've been getting better (sloooowly) but now you're actually getting worse.
After this ridiculous week I'll look into a yoga class- I really need to get recentered. And mayeb once I'm unemployed I'll be able to sleep better, or at least longer. #crossing fingers#
Monday, November 8, 2010
Thursday, November 4, 2010
Monday, November 1, 2010
Sunday, September 19, 2010
*Clothing: not sure yet. need to go through costumes. For sure I will need an apron.
1. Shoo everybody away, so that there is a big, circular space around me. The motions should be like you're shooing chickens. Flap your hands at people.
Materials needed: none.
2. Find someone in the audience and have them hold up empty "mirror". Take plastecine (red and white) out of pocket and mold it over face in the shape of nose. Take your time, knead it out and bang it against your palm. mold an oversized nose onto your face and tie it on with a strip of cloth. take a birthday candle out of your pocket and place it in the plastecine.
Materials needed: plastecine (red and white), "mirror" (cut out of cardboard and hung off a belt), strip of cloth, birthday candle already melted in to holder.
3. Collect people from the audience and hand them bags of flour, taken from pockets in apron. clip off the ends of the bags and shoo them away, out of the rogatka. Make clicking noises with your tongue. The purpose of this is to make white flour trails out the door.
Materials needed: bags of flour (4-5), scissors (hung off a belt).
4. Climb on top of someone (make sure they know you're going to do this beforehand). Get your nose (and the candle) as close to the ceiling as possible. Light other birthday candles one by one from the candle in nose and hand them to people in the audience. The performance is over when the candle in my nose burns out by itself.
Materials needed: birthday candles (a handful or so).
Wednesday, September 15, 2010
I'm trying to do what is good for anxiety, at least in my case: making as many concrete preparations as I can at this stage, seeing if I've missed anything that I could be doing to make this transition as smooth as possible and reminding myself that I'm doing all I can and I can't control everything. It's helping.
I'm also reminding myself that the studio (despite the ridiculous amount of money we're going to put in it) is not going to be some magical solution for Becoming An Artist. It makes things easier, by proiding space, tools and hopefully a social atmosphere conducive to work, all of which are very important. But the art-making and the work ethic needed to go with it are up to me. I think that's what worries me the most (other than running out of money in the middle): that I will find myself in a fancy-schmancy studio and still not being doing the work that I want to be doing. That not having enough space etc. will turn out to have been an excuse.
I really hope that's not the case. I don't think it is. And there's really only one way to find out.
I also know that having a studio isn't the be-all and end-all of my practice. I might find that I work better in spaces I have to negotiate, as long as they're my own. I'm just..I guess I'm just trying not to get caught up in unrealistic expectations, which will only serve to foster anxiety, which will sabotage my work and make me miserable. Sometimes it works better than other times. Which, while a pretty bland statement, is sometimes all you can say about containing anxiety.